Is the seventeenth studio album (fifteenth worldwide) by British group Bee Gees. Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Entertainment. ISBN 4-87131-077-9. ^ 'charts.org.nz Bee Gees.

It doesn't get much better than this! Despite a somewhat failed experiment that would break up the Bee Gees for a spell, it's easily the most significant of their '60s recordings. I'd list some standout tracks, but I'd just end up listing the whole album. This reissue is cut by Kevin Grey and pressed by RTI, which is known for its audiophile pressing for labels like MFSL.

This 2 LP set comes on quiet, flat 180 gram vinyl, and faithfully restores the red velvet flocked cover and gold lettering of the original release. Kak uznatj pin kod televizora samsung galaxy. It's 'deluxe' in every sense of the word.

If you're looking for this album and don't want to struggle to track down a clean original, this is no doubt the one to get. It's easily one of my favorite pieces in my collection.

Reprise/Rhino went all-out for their deluxe edition treatment of ' 1969 album. Disc one of the three-CD set has the album (originally a double LP) in its original mono mix; disc two presents it in its original stereo mix; and disc three, most excitingly for fans and collectors, offers 22 previously unreleased tracks (and one promotional radio spot). It goes without saying, perhaps, that this is a pretty specialized affair even by the standards of deluxe editions, especially as is not exactly considered a core classic late-'60s rock album by mainstream audiences. It has its merits, however, and even though ownership of both the stereo and mono CDs might not be considered essential by the average fan, fanatics will appreciate having both of them side by side (especially as the mono mixes were made available in the U.S.

For the first time here). The real interest, of course, lies in the abundant previously unreleased material. Most of this, it should be cautioned, consists of alternate versions/mixes and demos of songs that made it onto the album -- in fact, there demos or alternate takes for every song from besides 'The British Opera' -- although there are two previously unissued tunes, 'Pity' and 'Nobody's Someone,' that didn't make it onto the album in any form. As is the case with alternates on many expanded/deluxe CDs, you'd never put these recordings on par with the officially released versions.

Mostly they tend to confirm ' judgment as to what takes and arrangements were used on the final LP, with some obviously hesitant performances and a few songs lacking final lyrical polish.